Monument, 2014
Sculpture made from dead wood, chipped with inherited tools.

Installation view from Open Studios at Bergen National Academy of the Arts.

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40 working hours, 2013Within the limitations of an ordinary work week, I attempted to saw through a rock with a junior hacksaw. With reference to geological time and how erosive processes impact the landscape, this performative sculpture is an exploration of work in the context of personal time. 40 working hours is an attempt to legitimate and view the work process as meaningful activity in itself.
Installation view from KNIPSU, Bergen, Norway.

40 working hours, 2013
Within the limitations of an ordinary work week, I attempted to saw through a rock with a junior hacksaw. With reference to geological time and how erosive processes impact the landscape, this performative sculpture is an exploration of work in the context of personal time. 40 working hours is an attempt to legitimate and view the work process as meaningful activity in itself.

Installation view from KNIPSU, Bergen, Norway.

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4 months, 2013The six bags of cement was the surplus of a construction project. They were left behind, and for a period of four months it was naturally hardened by rain water and snow (October 2012 - January 2013).
Installation view from KNIPSU, Bergen, Norway.

4 months, 2013
The six bags of cement was the surplus of a construction project. They were left behind, and for a period of four months it was naturally hardened by rain water and snow (October 2012 - January 2013).

Installation view from KNIPSU, Bergen, Norway.

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A Fake Rock, 2013
A fake rock is ordered from a company in the United States and delivered to the exhibition space. The package is to be kept sealed throughout the exhibition period.

The documentation is from two separate occasions: Shedhalle Tübingen, Germany (top) and at the studio collective Blokk in Bergen, Norway.

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Recording, 2012Photographs mounted on plywood.

Recording, 2012
Photographs mounted on plywood.

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